| 1 | '''Chimanlal Muljibhoy Luhar (1901-48)''' |
| 2 | |
| 3 | |
| 4 | Hindi director. Chemistry graduate from |
| 5 | Bombay University. Noted author and critic in |
| 6 | early 1920s, e.g. in journals like Vismi Sadi, |
| 7 | Navchetan and Bombay Chronicle. Started career as laboratory assistant at Kohinoor |
| 8 | Studio in the 20s. Became noted cameraman |
| 9 | working e.g. for several documentaries with |
| 10 | Bombay-based production unit K.D. Brothers, |
| 11 | apparently under tutelage of an English |
| 12 | cameraman affiliated to the Prince of Wales’s |
| 13 | official entourage during his tour of India. |
| 14 | Following a brief stint at Saurashtra Film in |
| 15 | Rajkot (1925), and a longer one at Krishna |
| 16 | Film, where he shot around 20 films, he joined |
| 17 | Sharda with Dagabaaz Duniya (1926). His |
| 18 | later films at Sharda included several Master |
| 19 | Vithal stunt movies (e.g. Gul Badan, Kanak |
| 20 | Kanta, both 1928). Wrote and shot Harshadrai |
| 21 | Mehta’s costumed spectacle Janjirne |
| 22 | Jankare (1927), praised by the ICC Report. |
| 23 | Turned producer (1931) with partner |
| 24 | Harshadrai Mehta (Mehta-Luhar Prod.) |
| 25 | continuing in the Master Vithal vein of stunt |
| 26 | and adventure thrillers starring Navinchandra. |
| 27 | Then a partner in Sharda (1933) and a director |
| 28 | at Sagar (1934-40), where he began signing his |
| 29 | name to his films and introduced the stunt |
| 30 | genre. Later directed Prakash Pics (1941-6). |
| 31 | |
| 32 | |
| 33 | '''FILMOGRAPHY:''' 1932: Sassi Punnu; 1935: |
| 34 | Silver King; Talash-e-Haq; 1936: Do |
| 35 | Diwane/Be Kharab Jan; 1937: Captain Kirti |
| 36 | Kumar; 1938: Dynamite; 1939: Kaun Kisika; |
| 37 | Seva Samaj; 1940: Saubhagya; 1941: |
| 38 | Darshan; 1942: Station Master; 1943: School |
| 39 | Master; 1944: Us Paar; 1946: Bindiya. |
| 40 | |
| 41 | [[Director]] |