| 1 | '''Cheluvi''' |
| 2 | |
| 3 | |
| 4 | aka The Flowering Tree |
| 5 | 1992 102’ col Hindi |
| 6 | d/s/co-dial Girish Karnad pc Sadir Media, |
| 7 | Doordarshan p B.V. Ramachandra |
| 8 | co-dial Padmavati Rao lyr Vasant Dev c Rajiv |
| 9 | Menon m Bhaskar Chandavarkar |
| 10 | lp Sonali Kulkarni, Gargi Yakkundi, Prashant |
| 11 | Rao, Geetanjali Kirloskar, B. Jayashree, |
| 12 | Sushma, Poornima Chikkerur, Girish Karnad, |
| 13 | Padmavati Rao, Appayya, Sivdasan, Suresh |
| 14 | Kulkarni, Vijaya Yakkundi |
| 15 | |
| 16 | |
| 17 | Karnad retells a Karnataka folk-tale, dubbed in |
| 18 | Hindi, usually told by women while feeding |
| 19 | children or putting them to bed, a time when |
| 20 | other women would also be present. A young |
| 21 | woman, Cheluvi (Kulkarni), living in abject |
| 22 | poverty with her mother and sister, can turn |
| 23 | herself into a tree yielding an endless supply of |
| 24 | blossoms as long as they are picked very |
| 25 | carefully. The son, Kumar (Prashant Rao), of |
| 26 | the village headman (Karnad), seduced by the |
| 27 | scent of the flowers, marries Cheluvi and they |
| 28 | enjoy her flowering in strict privacy. During |
| 29 | Kumar’s absence, the headman’s young |
| 30 | daughter Shyama (G. Yakkundi) forces Cheluvi |
| 31 | to disclose her secret. Unable to comprehend |
| 32 | 1992 |
| 33 | 507 |
| 34 | the delicacy and beauty of the event, the |
| 35 | children destroy the tree, leaving Cheluvi’s |
| 36 | body as a mutilated tree-stump. In the end, |
| 37 | Kumar disconsolately leaves carting off the |
| 38 | Cheluvi-stump. The folklorist A.K. Ramanujan |
| 39 | pointed out that in Sanskrit and in Kannada the |
| 40 | same word is used for ‘flowering’ and |
| 41 | ‘menstruation’. Art direction is provided by |
| 42 | Jayoo and Nachiket Patwardhan. |
| 43 | |
| 44 | [[Film]] |