| 1 | |
| 2 | == Chaturbhuj Anandji Doshi == |
| 3 | Hindi and Gujarati director born in Kathiawar, |
| 4 | Gujarat. Journalist for progressive daily |
| 5 | Hindustan (1926) under editor Indulal |
| 6 | Yagnik. Silent era scenarist (1930) for Jayant |
| 7 | Desai, Nandlal Jaswantlal, Nanubhai Vakil |
| 8 | etc. Wrote several Ranjit films. One of the top |
| 9 | Gujarati scenarists; scripted the key Punatar |
| 10 | productions that launched a Gujarati film |
| 11 | industry (Gunsundari, Nanand Bhojai, both |
| 12 | 1948) and Raskapur’s Mehndi Rang Lagyo |
| 13 | (1960); at times considered a successor to |
| 14 | scenarist Mohanlal Dave. As film-maker, he is |
| 15 | known for devising a more rationalist |
| 16 | interpretation of the mythological. |
| 17 | |
| 18 | FILMOGRAPHY: 1938: Gorakh Aya; |
| 19 | Secretary; 1939: Adhuri Kahani; 1940: |
| 20 | Musafir; 1941: Pardesi; Sasural; 1942: Bhakta |
| 21 | Surdas; Dhiraj; Mehmaan; 1943: Chhoti Maa; |
| 22 | Shankar Parvati; 1944: Bhartrahari; 1945: |
| 23 | Murti; 1946: Phulwari; 1947: Bela; Kaun |
| 24 | Hamara; 1948: Jesal Toral; Karaiyavar; Sati |
| 25 | Sone; 1949: Bhakta Puran; Vevishal; 1950: |
| 26 | Akhand Saubhagya; Kisi Ki Yaad; 1954: Aurat |
| 27 | Teri Yahi Kahani; 1956: Aabroo; Dassehra; |
| 28 | 1957: Khuda Ka Banda; Shesh Naag; 1958: |
| 29 | Sanskar. |
| 30 | |