| 1 | '''Chandni''' |
| 2 | |
| 3 | |
| 4 | 1989 186’ col Hindi |
| 5 | d Yash Chopra pc Yash Raj Films st Kamna |
| 6 | Chandra sc Unmesh Kalba, Arun Kashyap |
| 7 | lyr Anand Bakshi c Manmohan Singh |
| 8 | m Shiv-Hari lp Vinod Khanna, Rishi Kapoor, Sridevi, |
| 9 | Waheeda Rehman, Anupam Kher, Mita |
| 10 | Vasisht |
| 11 | |
| 12 | |
| 13 | Yash Chopra returns to his familiar brand of |
| 14 | romances (cf. Silsila, 1981) in exotic locations |
| 15 | with this tale of Chandni (Sridevi). She is seen - |
| 16 | and for a large part of the film, also imagined - |
| 17 | only through the eyes of her lover Rohit |
| 18 | (Kapoor), who decorates the walls of his room |
| 19 | with the countless snapshots he takes of her. |
| 20 | Later, while showering his beloved with |
| 21 | flowers from a helicopter, he falls and is |
| 22 | partially paralysed, prompting him to break off |
| 23 | the relationship. However, his sexually charged |
| 24 | fantasies of Chandni eventually rekindle his |
| 25 | desire to live. After an expensive operation in a |
| 26 | hospital abroad, he is cured and re-enters |
| 27 | Chandni’s life just when she is about to marry |
| 28 | her boss, Lalit (Khanna). The film and its |
| 29 | marketing campaign revolve entirely around |
| 30 | Sridevi, confirming her as India’s top female |
| 31 | star. Arguably, the whole film can be seen as an |
| 32 | extended advertisement promoting Sridevi as |
| 33 | the Indian film consumers’ ideal fantasy of |
| 34 | womanhood. including the popular song by |
| 35 | Lata Mangeshkar, ''Mere haathon main nau |
| 36 | nau churiyan.'''''' |
| 37 | |
| 38 | [[Film]] |