| 1 | '''Bombay''' |
| 2 | |
| 3 | |
| 4 | 1995 134’ col/scope Tamil/Hindi |
| 5 | d/s Mani Rathnam pc Aalayam dial Sujata |
| 6 | lyr Vairamuthu c Rajiv Menon m A.R. Rehman |
| 7 | lp Aravind Swamy, Manisha Koirala, Nasser, |
| 8 | Kitty, Radhabai, Tinnu Anand |
| 9 | |
| 10 | |
| 11 | Controversial melodrama set in the 1993 |
| 12 | Bombay riots following the destruction of the |
| 13 | Babri Masjid by Hindu zealots in December |
| 14 | 1992. In a Tamil village, the Hindu Shekhar |
| 15 | (Swamy) falls for a Muslim woman, Shehla |
| 16 | Bano (Koirala). When the fathers of both |
| 17 | oppose the marriage, the couple elope to |
| 18 | Bombay where Shekhar gets a job as a |
| 19 | journalist, while Bano gives birth to twin boys. |
| 20 | Their personal story is intercut with growing |
| 21 | signs of religious fanaticism around them led |
| 22 | by saffron-clad members of the Shakti Samaj, |
| 23 | an obvious reference to the Shiv Sena. |
| 24 | Following the destruction of the mosque, |
| 25 | Muslim militants kill two workers, and the |
| 26 | Shakti Samaj leader (Anand), referring to Shiv |
| 27 | Sena leader Bal Thackeray, leads his party into |
| 28 | full-scale reprisals against the city’s large |
| 29 | Muslim population. Much of the film’s second |
| 30 | half recreates the riot scenes on sets that |
| 31 | replicate their original locations with |
| 32 | astonishing fidelity. The couple lose their two |
| 33 | children in the riots, who are looked after by a |
| 34 | transvestite. In the end, after a fervent pacifist |
| 35 | plea by Shekhar, the family is reuinted and the |
| 36 | secular-minded common folk of both |
| 37 | communities pacify the rioters. The film was |
| 38 | controversial even before its release, when |
| 39 | Amitabh Bachchan, whose company ABCL |
| 40 | distributed the Hindi version, sought |
| 41 | Thackeray’s ‘approval’ of the film thereby |
| 42 | further legitimating his position as an extraconstitutional |
| 43 | censor. It was later attacked for |
| 44 | its allegedly ‘secular’ credentials, its |
| 45 | misrepresentation of widely reported events in |
| 46 | order to blame the Muslims for having started |
| 47 | the riots, and for its tendency to equate the |
| 48 | ‘voice of reason’ with Hindu majoritarianism. |
| 49 | Ravi Vasudevan (1996) has published an |
| 50 | extensive critique of the film and on its |
| 51 | reception. |
| 52 | |
| 53 | [[Film]] |