| 1 | '''Bhupen Hazarika''', (1926-2011) |
| 2 | |
| 3 | |
| 4 | Born in Sadiya, Assam. Most important |
| 5 | Assamese singer and composer in post- |
| 6 | Independence period. Deeply influenced by |
| 7 | Paul Robeson. Child actor in Agarwala’s |
| 8 | second film, Indramalati (1939). Degree from |
| 9 | Benares University (1946); doctorate at |
| 10 | Columbia University with a thesis on the role of |
| 11 | mass communication in India’s adult education |
| 12 | (1952). Returned to lecture at Gauhati |
| 13 | University, but resigned (1955) in favour of |
| 14 | film-making and music. Member of Assam’s |
| 15 | first IPTA provincial committee (with Agarwala, |
| 16 | Bishnu Rabha and Phani Sarma, 1946). |
| 17 | Released first record, Mahatmer Mahaprayam, |
| 18 | in 1948. Major intervention in musical forms |
| 19 | like Bihu (spring festival music), Ban-geet and |
| 20 | Bar-geet (devotionals written by medieval Saint |
| 21 | poets Shankara Deb and Madhab Deb), and |
| 22 | plantation workers’ music. Toured Assam’s riotaffected |
| 23 | areas with Hemango Biswas and their |
| 24 | musical troupe (1960). Early films as music |
| 25 | director were part of continuing collaboration |
| 26 | with IPTA colleagues Rabha and Sarma, as was |
| 27 | his directorial début, Era Bator Sur, starring |
| 28 | Balraj Sahni. His Shakuntala starred the |
| 29 | popular singer Khagan Mahato. His films are |
| 30 | noted for tremendously popular music, often |
| 31 | with singers from Bombay, e.g. Lata |
| 32 | Mangeshkar in Era Bator Sur, Talat Mahmood |
| 33 | in Pratidhwani and Asha Bhosle, Kishore |
| 34 | Kumar and Mukesh in Chik Mik Bijuli. Mera |
| 35 | Dharam Meri Maa was the first production of |
| 36 | the newly formed state of Arunachal Pradesh. |
| 37 | Member of Assamese State Legislative |
| 38 | Assembly (1967-72). Edited art journal Gati |
| 39 | 106 |
| 40 | (1964-7), columnist on Amar Pratinidhi (1963- |
| 41 | 80). Published several books of essays and |
| 42 | anthologies of songs. Wrote and scored his |
| 43 | own films, music director only on the others. |
| 44 | Equally popular as a Bengali singer. In the |
| 45 | 1990s associated mainly with the films/TV |
| 46 | productions of Kalpana Lajmi. |
| 47 | |
| 48 | |
| 49 | '''FILMOGRAPHY''' (* also d): 1948: Siraj; Sati |
| 50 | Behula; 1955: Pioli Phukan; Era Bator |
| 51 | Sur*; 1957: Dhumuha; Kari-o-Komal; Jiban |
| 52 | Trishna; 1958: Jonakir Alo; 1959: Mahut |
| 53 | Bandhu Re*; Kecha Sone; Puwati Nishar |
| 54 | Sapon; 1960: Dui Bechara; 1961: |
| 55 | Shakuntala*; 1963: Maniram Dewan; 1964: |
| 56 | Pratidhwani/Ka Swarati*; 1966: Lati Ghati*; |
| 57 | 1969: Chik Mik Bijuli*; 1971: Ekhane Pinjar; |
| 58 | 1973: 27 Down; 1974: Aarop; Bristi; For |
| 59 | Whom the Sun Shines* (Doc); 1975: Chameli |
| 60 | Memsaab; Khoj; 1976: Dampati; Mera |
| 61 | Dharam Meri Maa*; Rupkonwar Jyotiprasad |
| 62 | Aru Joymati*; Palasor Rong; 1977: |
| 63 | Banahansa; Through Melody and Rhythm* |
| 64 | (Doc); 1978: Banjoi; 1979: Mon Prajapati*; |
| 65 | Chameli Memsahib; Chhat Maiya Ki Mahima; |
| 66 | 1980: Akan; 1981: Nagpash; 1982: |
| 67 | Aparoopa/Apeksha; 1983: Deepar Prem |
| 68 | (only act.); 1985: Angikar; 1986: Sankalpa; Ek |
| 69 | Pal; Swikarokti* (Sh); 1988: Siraj*; Lohit |
| 70 | Kinare (TV); 1992: Rudali; 1994: Sopan; |
| 71 | Gajamukta; 1995: Boumoni. |
| 72 | |
| 73 | [[Music]] |