| 1 | == Bhakta Kuchela == |
| 2 | |
| 3 | 1961 165’ b&w Malayalam |
| 4 | |
| 5 | d/p P. Subramanyam |
| 6 | |
| 7 | pc Neela Prod. |
| 8 | |
| 9 | s Nagavalli R.S. Kurup |
| 10 | |
| 11 | lyr Thirunayanar Kurichi |
| 12 | |
| 13 | c N.S. Mani m Brother Lakshmanan |
| 14 | |
| 15 | lp Thikkurisi Sukumaran Nair, |
| 16 | Kottarakkara Sridharan Nair, S.P. Pillai, |
| 17 | T.K. Balachandran, Kumari, Ambika, Shanti, |
| 18 | Shashi, Kushalakumari, Jose Prakash, Hari, |
| 19 | C.S. Kantha Rao, Adoor Pankajam, Vinodhini, |
| 20 | Vilasini, Satheesh |
| 21 | |
| 22 | The first big mythological by a director who, |
| 23 | having put the radicalism of Randidangazhi |
| 24 | (1958) behind him, would be increasingly |
| 25 | associated with the devotional genre through |
| 26 | the 60s (including Biblical themes e.g. Snapaka |
| 27 | Yohannan, 1963). Krishna’s childhood friend |
| 28 | and devotee, the Brahmin Kuchela, grows up |
| 29 | to father 27 children even as he pines to meet |
| 30 | his idol. His worship of Krishna causes enmity |
| 31 | with King Shishupala. With his several |
| 32 | offspring on the verge of starvation, he goes on |
| 33 | a pilgrimage to Dwarka, where he meets his |
| 34 | friend and master. To his astonishment Krishna |
| 35 | sends him away empty-handed, but Kuchela |
| 36 | returns home to find that his modest hut has |
| 37 | miraculously been turned into a palace. The |
| 38 | film did much to establish a bigger-budgeted |
| 39 | version of the B-movie mythologicals routinely |
| 40 | churned out by studios in Alleppey and |
| 41 | Trivandrum. |