| 1 | '''Ashok Kumar Ganguly (b. 1911)''' |
| 2 | |
| 3 | |
| 4 | Hindi star and producer; nicknamed |
| 5 | Dadamoni. Born in Bhagalpur, Bihar; the son |
| 6 | of a lawyer and deputy magistrate. Originally |
| 7 | called Kumudlal Kunjilal Ganguly. Grew up in |
| 8 | Khandwa. Briefly studied law in Calcutta, then |
| 9 | joined his mentor and future brother-in-law, |
| 10 | Shashadhar Mukherji, at Bombay Talkies, first |
| 11 | as laboratory assistant. He was cast in the lead |
| 12 | opposite Devika Rani in Jeevan Naiya and |
| 13 | Achhut Kanya. Acted in several notable films |
| 14 | with her and then with Leela Chitnis (the hits |
| 15 | Bandhan, Kangan and Jhoola). After |
| 16 | Himansu Rai’s death (1940), he enjoyed the |
| 17 | protection of Mukherji, who co-managed the |
| 18 | studio with Devika Rani. Broke through as the |
| 19 | Bogartian journalist in the Abbas-scripted |
| 20 | Naya Sansar. Other classic roles include the |
| 21 | title role in Mehboob’s Humayun and the |
| 22 | double role of magistrate and playboy in |
| 23 | Afsana. His most famous role was in Kismet |
| 24 | as the gracefully cigarette-smoking anti-hero, |
| 25 | showing that Hindi cinema had quickly |
| 26 | assimilated Hollywood’s film noir style. Set up |
| 27 | Filmistan (1943) with S. Mukherji, Gyan |
| 28 | Mukherjee and Rai Bahadur Chunilal. He later |
| 29 | returned to Bombay Talkies as production |
| 30 | chief. Directed some of their films (e.g. Eight |
| 31 | Days) but never took the official credit. Joined |
| 32 | with his brothers Kishore and Anup Kumar in |
| 33 | the comedies Chalti Ka Naam Gaadi and |
| 34 | Chalti Ka Naam Zindagi. In the 60s freelanced |
| 35 | as character actor, often playing a sympathetic |
| 36 | parent (e.g. Mili). According to Tapan Sinha, |
| 37 | with whom he first acted in Hatey Bazarey, |
| 38 | ‘he was the first to apply “normal” acting in our |
| 39 | industry; until Ashok Kumar we had jatra-style |
| 40 | acting or screen acting that followed theatrical |
| 41 | trends. [H]e is the man who showed that film |
| 42 | acting is something else. He began to speak |
| 43 | and to behave normally.’ He excelled in Robin |
| 44 | Hood-type roles with sparse dialogues and his |
| 45 | way of holding a cigarette in Kismet became a |
| 46 | trade-mark. He anchored the TV soap Humlog |
| 47 | and appeared in many TV serials. His image is |
| 48 | a generic icon virtually autonomous from the |
| 49 | plot, at first representing Bombay Talkies’ |
| 50 | version of Indian modernity and then |
| 51 | underpinning Filmistan’s commitment to the |
| 52 | mass entertainment formula. |
| 53 | |
| 54 | |
| 55 | '''FILMOGRAPHY:''' 1936: Jeevan Naiya; |
| 56 | Achhut Kanya; Janmabhoomi; 1937: Izzat; |
| 57 | Prem Kahani; Savitri; 1938: Nirmala; |
| 58 | Vachan; 1939: Kangan; 1940: Azad; |
| 59 | Bandhan; 1941: Anjaan; Jhoola; Naya |
| 60 | Sansar; 1943: Angoothi; Kismet; Najma; |
| 61 | 1944: Chal Chal Re Naujawan; Kiran; 1945: |
| 62 | Begum; Humayun; 1946: Eight Days; |
| 63 | Shikari; Uttara Abhimanyu; 1947: Saajan; |
| 64 | Chandrasekhar; 1948: Padmini; 1949: |
| 65 | Mahal; 1950: Adhi Raat; Khiladi; Mashaal; |
| 66 | Nishana; Samadhi; Sangram; 1951: Afsana; |
| 67 | Deedar; 1952: Betaab; Bewafa; Jalpari; |
| 68 | Kafila; Naubahar; Poonam; Raag Rang; |
| 69 | Saloni; Tamasha; 1953: Nagma; Parineeta; |
| 70 | Shamsheer; Sholay; 1954: Baadbaan; |
| 71 | Lakeeren; Naaz; Samaj; 1955: Bandish; |
| 72 | Sardar; 1956: Bhai Bhai; Ek Hi Raasta; |
| 73 | Inspector; Shatranj; 1957: Bandi; Ek Saal; |
| 74 | Jeevan Saathi; Mr X; Sheroo; Talaash; Ustad; |
| 75 | 1958: Chalti Ka Naam Gaadi; Farishta; |
| 76 | Howrah Bridge; Karigar; Night Club; Ragini; |
| 77 | Savera; Sitaron Se Aage; 1959: Baap Bete; |
| 78 | Bedard Zamana Kya Jaane; Daaka; Dhool |
| 79 | Ka Phool; Kangan; Naach Ghar; Nai |
| 80 | Raahein; 1960: Aanchal; Kala Admi; Kalpana; |
| 81 | Kanoon; Masoom; Hospital; 1961: Dark |
| 82 | Street; Flat No. 9; Warrant; 1962: Aarti; |
| 83 | Bezubaan; Burma Road; Hong Kong; Isi Ka |
| 84 | Naam Duniya Hai; Mehndi Lagi Mere Haath; |
| 85 | Naqli Nawab; Private Secretary; Raakhi; |
| 86 | Ummeed; 1963: Aaj Aur Kal; Bandini; |
| 87 | Grihasthi; Gumrah; Mere Mehboob; Meri |
| 88 | Soorat Teri Aankhen; Ustadonke Ustad; Yeh |
| 89 | Raaste Hain Pyar Ke; 1964: Benazir; |
| 90 | Chitralekha; Dooj Ka Chand; Phoolon Ki Sej; |
| 91 | Pooja Ke Phool; 1965: Shevatcha Malusara; |
| 92 | Adhi Raat Ke Baad; Akashdeep; Bahu Beti; |
| 93 | Bheegi Raat; Chand Aur Suraj; Naya Kanoon; |
| 94 | Oonche Log; 1966: Afsana; Dadi Maa; |
| 95 | Mamata; Yeh Zindagi Kitni Haseen Hai; |
| 96 | Toofan Mein Pyar Kahan; 1967: Jewel Thief; |
| 97 | Meharbaan; Bahu Begum; Nai Roshni; Hatey |
| 98 | Bazarey; 1968: Aabroo; Ashirwad; Dil Aur |
| 99 | Mohabbat; Ek Kali Muskayi; Sadhu Aur |
| 100 | Shaitan; 1969: Aradhana; Aansoo Ban Gaye |
| 101 | Phool; Bhai Bahen; Do Bhai; Inteqam; Paisa |
| 102 | Ya Pyar; Pyar Ka Sapna; Satyakam; 1970: |
| 103 | Jawab; Maa Aur Mamta; Purab Aur Paschim; |
| 104 | Safar; Sharafat; 1971: Adhikar; Door Ka Rahi; |
| 105 | Naya Zamana; Ganga Tera Pani Amrit; Hum |
| 106 | Tum Aur Woh; Kangan; Pakeezah; Guddi; |
| 107 | 1972: Rani Mera Naam; Anuraag; Dil Daulat |
| 108 | Duniya; Malik; Raakhi Aur Hathkadi; Sa Re |
| 109 | Ga Ma Pa; Sazaa; Victoria No. 203; Zameen |
| 110 | Aasmaan; Zindagi Zindagi; 1973: Bada |
| 111 | Kabutar; Dhund; Do Phool; Hifazat; Taxi |
| 112 | Driver; 1974: Do Aankhen; Dulhan; Khoon Ki |
| 113 | Keemat; Paise Ki Gudiya; Prem Nagar; Ujala |
| 114 | Hi Ujala; Badhti Ka Naam Daadhi; 1975: Love |
| 115 | in Bombay; Akraman; Chhotisi Baat; Chori |
| 116 | Mera Kaam; Dafaa 302; Ek Mahal Ho Sapnon |
| 117 | Ka; Mili; Uljhan; 1976: Aap Beeti; Arjun |
| 118 | Pandit; Barood; Bhanwar; Ek Se Badkhar Ek; |
| 119 | Harfan Maula; Mazdoor Zindabad; Rangila |
| 120 | Ratan; Shankar Dada; Santan; 1977: Anand |
| 121 | Ashram; Anurodh; Chala Murari Hero Banne; |
| 122 | Dream Girl; Hira Aur Patthar; Jadu Tona; |
| 123 | Khatta Meetha; Mastan Dada; Prayashchit; |
| 124 | Safed Jhooth; Premi Gangaram; 1978: Anmol |
| 125 | Tasveer; Anpadh; Apna Khoon; Chor Ke Ghar |
| 126 | Chor; Dil Aur Deewar; Do Musafir; Mehfil; |
| 127 | Phool Khile Hain Gulshan Gulshan; Tumhare |
| 128 | Liye; 1979: Bagula Bhagat; Guru Ho Jaa |
| 129 | Shuru; Janata Havaldar; Amar Deep; Salaam |
| 130 | Memsaab; 1980: Khwab; Aakhri Insaaf; Aap |
| 131 | Ke Diwane; Judaai; Khubsoorat; Nazrana Pyar |
| 132 | Ka; Sau Din Saas Ke; Saajan Mere Main |
| 133 | Saajan Ki; Takkar; Jyoti Bane Jwala; |
| 134 | 1981:Chalti Ka Naam Zindagi; Jyoti; Jail Yatra; |
| 135 | Maan Gaye Ustad; Yeh Kaisa Nasha Hai; |
| 136 | Shaukeen; 1982: Sambandh; Anokha |
| 137 | Bandhan; Chor Mandli; Dial 100; Dushmani; |
| 138 | Heeron Ka Chor; Mehndi Rang Layegi; Patthar |
| 139 | Ki Lakeer; Dard Ka Rishta; 1983: Haadsa; |
| 140 | Bekaraar; Farishta; Raja Aur Rana; Love In |
| 141 | Goa; Farz Ki Keemat; Mahaan; Chor Police; |
| 142 | Prem Tapasya; Shilalipi; Kaya Palat; Pasand |
| 143 | Apni Apni; 1984: Hum Rahe Na Hum; |
| 144 | Akalmand; Duniya; Grihasthi; Durga; Humlog |
| 145 | (TV); Ram Tera Desh; 1985: Bhago Bhoot |
| 146 | Aaya; Ek Daku Shaher Mein; Tawaif; Phir Aayi |
| 147 | Barsaat; 1986: Amma; Inteqam Ki Aag; Pyar |
| 148 | Kiya Hai Pyar Karenge; Shatru; Qatl; Dada |
| 149 | Dadi Ki Kahaniyan (TV); Pyar Ki Jeet; Woh |
| 150 | Din Aayega; Bhim Bhawani (TV); 1987: |
| 151 | Awaam; Hifazat; Mr India; Watan Ke |
| 152 | Rakhwale; Jawab Hum Denge; 1988: Inteqam; |
| 153 | 1989: Clerk; Sachaai Ki Taaqat; Mamata Ki |
| 154 | Chhaon Mein; Maut Ki Sazaa; Dana Pani; |
| 155 | Majboor; 1991: Hamla; 1994: Yuhi Kabhi; |
| 156 | 1995: Jamla Ho Jamla. |
| 157 | |
| 158 | [[Actor]] |
| 159 | |
| 160 | [[Producer]] |