| 1 | '''Aranyaka''' |
| 2 | |
| 3 | |
| 4 | 1994 90’ col Hindi |
| 5 | d/s/c/p A.K. Bir pc NFDC st Manoj Das |
| 6 | m Bhavdeep Jaipurwale |
| 7 | lp Sarat Pujari, Navni Parihar, Mohan Gokhale, |
| 8 | Sanjana Kapoor, Laltendu Rath, Subroto |
| 9 | Mahapatra, Sunil Singh |
| 10 | |
| 11 | |
| 12 | The Raja Saheb, played by the noted Oriya |
| 13 | actor Pujari, embarks on a hunting expedition |
| 14 | in cannibal country accompanied by an |
| 15 | anglophile businessman (Gokhale), his |
| 16 | hysterical wife (Parihar), an Army Major (Singh) |
| 17 | and his English wife (Kapoor). The two males |
| 18 | are attracted to each other’s wives. The only |
| 19 | outsider to the culture of feudal-upper class |
| 20 | hedonism is the Raja’s adopted tribal son, who |
| 21 | represents the land that the cultural elite set out |
| 22 | to conquer and who is regarded by them |
| 23 | variously as a wild sex-object, hunter and slave. |
| 24 | The hysterical wife seduces and then claims to |
| 25 | have been raped by the tribal, who is chained |
| 26 | and tortured. An orgiastic feast follows as the |
| 27 | group eat what they imagine to be the wild |
| 28 | boar shot during the hunt. They discover the |
| 29 | next day that the meat was the tribal’s body. |
| 30 | This discovery is left deliberately ambiguous |
| 31 | (unlike in the novel), allowing for several |
| 32 | interpretations. The film is noted mainly for |
| 33 | Bir’s stunning camerawork, enhancing the |
| 34 | elements of fable and allegory. |
| 35 | |
| 36 | [[Film]] |