| 1 | '''Anubhava''' |
| 2 | |
| 3 | |
| 4 | 1984 135’ col Kannada/Telugu/Hindi |
| 5 | d/co-p/s Kashinath pc Shri Gayatri Arts cop |
| 6 | Satyanarayana, Thotayya, Dattatreya, |
| 7 | Umapathi dial/lyr[Te] Rajashri |
| 8 | lyr[K] V. Manohar c K. Sundaranath Suvarna |
| 9 | m L. Vaidyanathan |
| 10 | lp Kashinath, Umashree, Master Vasanth, |
| 11 | Dinesh, Arvind, Kaminidharan, Shivraj, Sivan |
| 12 | Kumar, Venkatapathy, Prasannakumar, |
| 13 | Mohammed Asha, Sarojamma, Bhagya |
| 14 | |
| 15 | |
| 16 | The village girl Gauri (Bhagya) is to marry |
| 17 | Ramesh, an urban office clerk (Kashinath), |
| 18 | who builds up his physique and reads sex |
| 19 | manuals while she clings to her adolescence |
| 20 | and plays with little boys. Arriving in the village |
| 21 | with a large supply of contraceptives, Ramesh |
| 22 | is frustrated by Gauri’s behaviour and allows |
| 23 | himself to be seduced by Padmi (Umashree). |
| 24 | He returns to the city with Padmi, who then |
| 25 | takes off with a criminal, which gets Ramesh in |
| 26 | trouble with the police. Eventually, a |
| 27 | transformed Gauri arrives with her family, and |
| 28 | Ramesh, in all sorts of trouble, gratefully |
| 29 | accepts her. Starting off as a rural sex comedy, |
| 30 | the film runs out of ideas in its effort to prolong |
| 31 | the narrative. It introduced future actor-director |
| 32 | Kashinath, an unlikely hero with few star |
| 33 | qualities but possessing a wry sense of humour |
| 34 | and an intimate familiarity with the details of |
| 35 | lower middle-class urban life. |
| 36 | |
| 37 | [[Film]] |