| 1 | '''Antareen''' |
| 2 | |
| 3 | |
| 4 | 1993 91’ col Bengali |
| 5 | d/sc Mrinal Sen p NFDC, Doordarshan |
| 6 | st Sadat Hasan Manto c/m Shashi Anand |
| 7 | lp Anjan Dutt, Dimple Kapadia, Deepti Roy, |
| 8 | Kajal Gupta, Amal Mukherjee, Satya |
| 9 | Bandyopadhyay |
| 10 | |
| 11 | |
| 12 | A warmly lit, vividly coloured love story about |
| 13 | a young writer in search of inspiration in an old |
| 14 | country mansion. He strikes up a telephonic |
| 15 | relationship with an anonymous woman caller, |
| 16 | isolated in her lavish urban flat. The interaction |
| 17 | provides the writer with materials for a new |
| 18 | fiction. The viewer, however, is shown |
| 19 | something of the woman’s life: she is the |
| 20 | mistress of a wealthy old man (who remains |
| 21 | absent from the film) and thus supports her |
| 22 | lower middle-class family. The ending deploys |
| 23 | a device familiar from Bengali short stories as |
| 24 | the two protagonists meet each other in a train |
| 25 | compartment where the melody of his voice |
| 26 | allows her a moment of recognition. Sen |
| 27 | weaves allusions to Tagore’s Kshudita Pashan |
| 28 | into the narrative, but the film seems to hinge |
| 29 | on an exploration of what is shown or voiced |
| 30 | and what is unspoken or absent. |
| 31 | |
| 32 | [[Film]] |