Changes between Initial Version and Version 1 of Anil Biswas


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Timestamp:
Mar 1, 2012, 5:34:03 PM (13 years ago)
Author:
Lawrence Liang
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  • Anil Biswas

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     1'''Anil Biswas (b. 1914) 
     2''' 
     3 
     4Bengali and Hindi composer born in Barisal (now Bangladesh). A talented tabla player since infancy, he worked in amateur theatre as child singer. Became a political activist as a student and was associated with terrorist insurgency movements in Bengal. Repeatedly jailed in early 30s. Received early assignments as musician from Kazi Nazrul Islam at the Megaphone gramophone company; then scored and acted in several commercial Calcutta Theatres stage productions, notably 
     5in the Rangmahal theatre. Moved to Bombay 
     6(1934) where he was first employed by Ram 
     7Daryani’s Eastern Art Syndicate, then by Sagar 
     8and its successor National Studio (1940-2) and 
     9finally by Bombay Talkies (1942-6) before 
     10turning freelance.  
     11 
     12Best-known compositions 
     13are among the most effective film adaptations 
     14of theatrical music, with 12-piece orchestras 
     15and full-blooded choral effects in e.g. the 
     16Amirbai Karnataki songs of Gyan Mukherjee’s 
     17Kismet and even more so in Mehboob’s early  1965: Chhoti Chhoti Baatein. films. His recitative prose songs in Roti helped 
     18give the film its parable dimension and came 
     19close to an indigenous Brechtian mode. His 
     20work is a rare effort in popular Hindi film to 
     21define a cultural-political avant-garde. Later 
     22composed music for K.A. Abbas’s films (e.g. 
     23the famous ‘songless’ Munna) and for Mahesh 
     24Kaul. Music co-d for Begunah, using the name 
     25Haribhai. Scored Doordarshan’s pioneering 
     26TV series Humlog (1984-5) and a number of 
     27Films Division documentaries (e.g. 
     28Controlling Aphids in Mustard Crop, 1979; 
     29Development of Inland Fisheries, 1988; Modern 
     30Seeding and Planting Equipment, 1991, etc.)  
     31 
     32 
     33'''FILMOGRAPHY''' (* also act): 1935: Bal Hatya; Bharat Ki Beti; Dharam Ki Devi*; 1936: Fida- e-Watan; Piya Ki Jogan; Pratima; Prem Bandhan; Sangdil Samaj; Sher Ka Panja; Shokh Dilruba; 1937: Bulldog; Dukhiari; Gentleman Daku; Insaaf; Jagirdar; Kokila; Mahageet; 1938: Three Hundred Days and After; Dynamite; Gramophone Singer; Hum Tum Aur Woh; Nirala Hindustan; Abhilasha; Watan; 1939: Jeevan Saathi; Ek Hi Raasta; 1940: Alibaba; Aurat; Pooja; 1941: Aasra; Bahen; Nai Roshni; 1942: Apna Paraya; Garib; Jawani; Roti; Vijay; 1943: Hamari Baat; Kismet; 1944: Char Aankhen; Jwar Bhata; Lady Doctor; 1945: Pehli Nazar; 1946: Darban; Nauka Dubi/Milan; 1947: Bhookh; Manjdhar; Naiya; 1948: Anokha Pyar; Gajre; Veena; 1949: Girls’ School (with C. Ramchandra); Jeet; Laadli; Begunah; 1950:Arzoo; Beqasoor; Lajawaab; 1951: Aaram; 
     34Badi Bahu; Do Sitare; Tarana; 1952: Do Raha; 
     35Rahi; 1953: Akash; Faraib; Humdard; 
     36Jallianwala Bagh Ki Jyot; Mehmaan; 1954: 
     37Maan; Mahatma Kabir; Munna; Naaz; Waris; Annapurnar Mandir; 1937: Haranidhi; 1938: 1955: Faraar; Du-janay; Jasoos; 1956: Heer; Paisa Hi Paisa; 1957: Abhimaan; Jalti Nishani; Pardesi; 1958: Sanskar; 1959: Char Dil Char Raahein; 1960: Angulimal; Return of Mr Superman; Meera Ka Chitra; 1961: Lucky Number; Savitri; 1962: Hame 
     38 
     39 
     40 
     41[[Music]]