| 1 | '''Anil Biswas (b. 1914) |
| 2 | ''' |
| 3 | |
| 4 | Bengali and Hindi composer born in Barisal (now Bangladesh). A talented tabla player since infancy, he worked in amateur theatre as child singer. Became a political activist as a student and was associated with terrorist insurgency movements in Bengal. Repeatedly jailed in early 30s. Received early assignments as musician from Kazi Nazrul Islam at the Megaphone gramophone company; then scored and acted in several commercial Calcutta Theatres stage productions, notably |
| 5 | in the Rangmahal theatre. Moved to Bombay |
| 6 | (1934) where he was first employed by Ram |
| 7 | Daryani’s Eastern Art Syndicate, then by Sagar |
| 8 | and its successor National Studio (1940-2) and |
| 9 | finally by Bombay Talkies (1942-6) before |
| 10 | turning freelance. |
| 11 | |
| 12 | Best-known compositions |
| 13 | are among the most effective film adaptations |
| 14 | of theatrical music, with 12-piece orchestras |
| 15 | and full-blooded choral effects in e.g. the |
| 16 | Amirbai Karnataki songs of Gyan Mukherjee’s |
| 17 | Kismet and even more so in Mehboob’s early  1965: Chhoti Chhoti Baatein. films. His recitative prose songs in Roti helped |
| 18 | give the film its parable dimension and came |
| 19 | close to an indigenous Brechtian mode. His |
| 20 | work is a rare effort in popular Hindi film to |
| 21 | define a cultural-political avant-garde. Later |
| 22 | composed music for K.A. Abbas’s films (e.g. |
| 23 | the famous ‘songless’ Munna) and for Mahesh |
| 24 | Kaul. Music co-d for Begunah, using the name |
| 25 | Haribhai. Scored Doordarshan’s pioneering |
| 26 | TV series Humlog (1984-5) and a number of |
| 27 | Films Division documentaries (e.g. |
| 28 | Controlling Aphids in Mustard Crop, 1979; |
| 29 | Development of Inland Fisheries, 1988; Modern |
| 30 | Seeding and Planting Equipment, 1991, etc.) |
| 31 | |
| 32 | |
| 33 | '''FILMOGRAPHY''' (* also act): 1935: Bal Hatya; Bharat Ki Beti; Dharam Ki Devi*; 1936: Fida- e-Watan; Piya Ki Jogan; Pratima; Prem Bandhan; Sangdil Samaj; Sher Ka Panja; Shokh Dilruba; 1937: Bulldog; Dukhiari; Gentleman Daku; Insaaf; Jagirdar; Kokila; Mahageet; 1938: Three Hundred Days and After; Dynamite; Gramophone Singer; Hum Tum Aur Woh; Nirala Hindustan; Abhilasha; Watan; 1939: Jeevan Saathi; Ek Hi Raasta; 1940: Alibaba; Aurat; Pooja; 1941: Aasra; Bahen; Nai Roshni; 1942: Apna Paraya; Garib; Jawani; Roti; Vijay; 1943: Hamari Baat; Kismet; 1944: Char Aankhen; Jwar Bhata; Lady Doctor; 1945: Pehli Nazar; 1946: Darban; Nauka Dubi/Milan; 1947: Bhookh; Manjdhar; Naiya; 1948: Anokha Pyar; Gajre; Veena; 1949: Girls’ School (with C. Ramchandra); Jeet; Laadli; Begunah; 1950:Arzoo; Beqasoor; Lajawaab; 1951: Aaram; |
| 34 | Badi Bahu; Do Sitare; Tarana; 1952: Do Raha; |
| 35 | Rahi; 1953: Akash; Faraib; Humdard; |
| 36 | Jallianwala Bagh Ki Jyot; Mehmaan; 1954: |
| 37 | Maan; Mahatma Kabir; Munna; Naaz; Waris; Annapurnar Mandir; 1937: Haranidhi; 1938: 1955: Faraar; Du-janay; Jasoos; 1956: Heer; Paisa Hi Paisa; 1957: Abhimaan; Jalti Nishani; Pardesi; 1958: Sanskar; 1959: Char Dil Char Raahein; 1960: Angulimal; Return of Mr Superman; Meera Ka Chitra; 1961: Lucky Number; Savitri; 1962: Hame |
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| 41 | [[Music]] |