| 1 | '''Andhi Gali''''''''' |
| 2 | |
| 3 | |
| 4 | aka Blind Alley aka Dead End |
| 5 | 1984 152’ col Hindi |
| 6 | d/sc/m Buddhadev Dasgupta pc K.B.S. Films |
| 7 | st Dibyendu Palit’s novel Ghar Bari |
| 8 | dial/lyr Gulzar c Kamal Nayak |
| 9 | lp Kulbhushan Kharbanda, Deepti Naval, |
| 10 | M.K. Raina, Anil Chatterjee, Mahesh Bhatt, |
| 11 | Satya Bannerjee, Shyamanand Jalan, Anuradha |
| 12 | Tandon |
| 13 | |
| 14 | |
| 15 | The final part of the director’s trilogy dealing |
| 16 | with contemporary middle-class Bengali |
| 17 | politics (Dooratwa, 1978; Grihajuddha, |
| 18 | 1982) is his first film in Hindi. Set in Calcutta in |
| 19 | the early 70s, the central figure is a left activist |
| 20 | and school teacher, Hemanta. Narrowly |
| 21 | escaping being murdered by the police, |
| 22 | Hemanta finds his political organisation in |
| 23 | disarray and flees to Bombay where he leads a |
| 24 | quiet life though his nerves are still shattered |
| 25 | by his Calcutta experiences. Through a friend, |
| 26 | Rakesh, Hemanta meets Jaya and they marry. |
| 27 | To help raise money to buy a flat, Jaya |
| 28 | reluctantly becomes a model for advertisement |
| 29 | photographs. Obsessed with the desire to |
| 30 | secure a middle-class lifestyle, Hemanta forces |
| 31 | Jaya to take on demeaning photographic |
| 32 | assignments and, to impose his will on her, he |
| 33 | rapes her. Jaya commits suicide and Hemanta |
| 34 | finds himself facing the police again. |
| 35 | |
| 36 | [[Film]] |