| 1 | '''Ganapathy Venkatramana Iyer (b. 1917)''' |
| 2 | |
| 3 | |
| 4 | Kannada director born in Nanjangud, |
| 5 | Karnataka. Also major lyricist, scenarist, |
| 6 | producer and actor, nicknamed ‘ the barefoot |
| 7 | director’. Belongs to family of temple priests in |
| 8 | old Mysore. Started in theatre in 1928. Career in |
| 9 | two phases: actor-playwright for Gubbi |
| 10 | Veeranna, scenarist for several key historicals |
| 11 | starring Rajkumar, film-maker (usually with |
| 12 | co-director T.V. Singh Thakore) and soughtafter |
| 13 | lyricist-scenarist for c.65 Kannada films; |
| 14 | then, after Reddy’s Samskara (1970), |
| 15 | promoter of art-house cinema. Produced |
| 16 | Karnad and Karanth’s Vamsha Vriksha |
| 17 | (1971); directed Hamsa Geethe and first |
| 18 | Sanskrit feature, Adi Shankaracharya. Later |
| 19 | made another, Bhagavad Geeta. Culturally the |
| 20 | two periods are closely linked: his recent Saint |
| 21 | films argue for a revival of brahminical |
| 22 | orthodoxy and Advaita philosophy to recover ‘ |
| 23 | ancient truths’, thus returning to themes |
| 24 | inherent in mythologicals derived from feudalbrahminical |
| 25 | literature, music and theatre under |
| 26 | royal patronage around the turn of the century. |
| 27 | Early scripts for Rajkumar (e.g. Ranadheera |
| 28 | Kanteerava, 1960) were part of a populist |
| 29 | effort to reposition South India’s feudalism in |
| 30 | terms of Karnataka’s regional-chauvinist |
| 31 | movements from mid-40s onwards. His wordy |
| 32 | prose socials, e.g. Bhoodana, and the use of |
| 33 | classical Carnatic music in Hamsa Geethe are |
| 34 | part of an effort to update old Mysore’s |
| 35 | brahminical art forms seen as the pinnacle of |
| 36 | achievement in conservative views of |
| 37 | Karnataka’s cultural history. Also acted in e.g. |
| 38 | Radha Ramana (1943), Bedara Kannappa |
| 39 | (1954), Bhakta Mallikarjuna, Mahakavi |
| 40 | Kalidasa, Sodari (all 1955), Sadarame/ |
| 41 | Sadarama (1956), Kantheredu Nodu (1961), |
| 42 | and Hemavathi (1977). Published Mooru |
| 43 | Chitra Mooru Daari (1984). |
| 44 | |
| 45 | |
| 46 | '''FILMOGRAPHY:''' 1962: Bhoodana; Thayi |
| 47 | Karulu/Thayin Karunai; 1963: Lawyara |
| 48 | Magalu; Bangari; 1964: Post Master; 1966: |
| 49 | Kiladi Ranga; 1967: Rajashekhara; 1968: |
| 50 | Mysore Tonga; Nane Bhagyavati; 1969: |
| 51 | Chowkada Deepa; 1975: Hamsa Geethe/ |
| 52 | Aakhri Geet; 1976: Nalegalannu |
| 53 | Maduvavaru; 1977: Kudre Motte; 1983: Adi |
| 54 | Shankaracharya; 1986: Madhvacharya; |
| 55 | 1989: Shri Ramanujacharya; Wall Poster; |
| 56 | 1992: Bhagavad Geeta. |
| 57 | |
| 58 | [[Director]] |
| 59 | |