| 1 | '''Irani, Ardeshir Marwan(1886-1969)''' |
| 2 | |
| 3 | Director and producer in several languages; |
| 4 | born in Pune. Studied at the J.J. School of Art in |
| 5 | Bombay; teacher and kerosene inspector |
| 6 | before joining his father in the phonograph and |
| 7 | musical instruments trade in Bombay. Entered |
| 8 | film as exhibitor representing Western Indian |
| 9 | interests of Universal Film. Partnered |
| 10 | Abdulally Esoofally in exhibition interests |
| 11 | launched with acquisition of Alexandra and |
| 12 | Majestic theatres (1914). The partnership lasted |
| 13 | 55 years. Initially went into film production to |
| 14 | keep distribution outlets supplied. Launched |
| 15 | Star Film (1920) in partnership with Bhogilal |
| 16 | K.M. Dave, releasing their first film, Manilal |
| 17 | Joshi’s Veer Abhimanyu in 1922. They |
| 18 | became Majestic Film (1923), then Royal Art |
| 19 | Studio (1925) and finally the major silent era |
| 20 | studio, Imperial Film (1926). A ‘mogul’ in the |
| 21 | mould of the big Hollywood studio bosses; |
| 22 | credited with between 225 and 250 |
| 23 | productions in his lifetime, about half in the |
| 24 | silent era, and talkies in nine languages |
| 25 | including Farsi (Dukhtar-e-Lur, the first Iranian |
| 26 | sound film). Early screen directions often |
| 27 | jointly credited to Naval Gandhi but took rare |
| 28 | solo directorial credit for India’s first full sound |
| 29 | feature, Alam Ara, for which, having imported |
| 30 | a sound technician from Hollywood (Wilford |
| 31 | Deming), he finally recorded most of the sound |
| 32 | himself. Bought rights to Cinecolour process |
| 33 | and set up colour laboratory, producing India’s |
| 34 | first indigenously processed colour film Kisan |
| 35 | Kanya (1937). Produced only one film after |
| 36 | Imperial went into liquidation in 1938 (Pujari, |
| 37 | 1946) but remained active member of the |
| 38 | Indian Motion Picture Producers Association |
| 39 | (IMPPA) of which he had been, in 1933, its first |
| 40 | president. In 1974, Kennedy Bridge in Bombay |
| 41 | was renamed Ardeshir Bridge and his Jyoti |
| 42 | Studios (Est: 1939) passed to his son, Shapur A. |
| 43 | Irani. |
| 44 | |
| 45 | |
| 46 | '''FILMOGRAPHY:''' 1924: Mumbai Ni Sethani; |
| 47 | Shahjehan; Paap No Fej; 1925: Navalsha |
| 48 | Hirji (all St); 1931: Alam Ara; 1933: Dukhtare- |
| 49 | Lur. |
| 50 | |
| 51 | [[Director]] |
| 52 | |
| 53 | [[Producer]] |