| 1 | '''Lata Mangeshkar (b. 1929)''' |
| 2 | |
| 3 | |
| 4 | Prolific megastar playback singer central to |
| 5 | Hindi film music for the past four decades. |
| 6 | Allegedly recorded over 25000 songs in 14 |
| 7 | Indian languages, although Nerurkar’s |
| 8 | compilation (1989) lists a total of 5066 Hindi |
| 9 | songs between 1946 and 1989, which should |
| 10 | be the bulk of her output. Born in Indore, MP. |
| 11 | Daughter of noted Sangeet Natak actor-singer, |
| 12 | Dinanath Mangeshkar, started as a child actress |
| 13 | in Master Vinayak films. Sang her first song in |
| 14 | Vasant Joglekar’s Marathi film Kiti Hasaal |
| 15 | (1942), but the song was dropped, making her |
| 16 | real début with Joglekar’s Aap Ki Sewa Mein |
| 17 | (1947). Came to prominence with Ghulam |
| 18 | Haider’s score in Majboor (1948). Worked with |
| 19 | all leading music directors, including Anil |
| 20 | Biswas, Naushad, Shankar-Jaikishen and C. |
| 21 | Ramchandra. Occasionaly composed for |
| 22 | Marathi films, starting with Dinkar D. Patil’s |
| 23 | Ram Ram Pahuna (1950) and then, under |
| 24 | the pseudonym Anandaghan, only for Bhalji |
| 25 | Pendharkar (Mohityanchi Manjula, 1963; |
| 26 | Maratha Tituka Melavava, 1964; Sadhi |
| 27 | Manse, 1965; Tambdi Mati, 1969). Turned |
| 28 | producer with the Marathi films Vadal and |
| 29 | Jhanjhar (both 1953), Kanchan (1955) and |
| 30 | Lekin ... (1990). Since the 50s, possibly |
| 31 | following Bhai Bhai (1956), she perfected her |
| 32 | apparently effortless, high-pitched voice |
| 33 | projection, usually in C sharp, a technique said |
| 34 | to overcome the crude sound reproduction on |
| 35 | rickety gramophones and in suburban and |
| 36 | rural cinemas. Until the late 80s, recorded |
| 37 | about 2 songs a day, featuring in almost every |
| 38 | Hindi and most other language films. The |
| 39 | major Khayal performer, Neela Bhagwat, |
| 40 | commented that Mangeshkar’s performances |
| 41 | regrettably became the norm for the Indian |
| 42 | middle-class notion of feminine beauty in |
| 43 | music. Kumar Shahani suggested that only |
| 44 | she could have sung the difficult Ektaal-based |
| 45 | song, Sangh so javo in his Tarang (1984). She |
| 46 | appeared as actress in Pahili Mangalagaur |
| 47 | (1942), Mazhe Bal and Chimukla Sansar |
| 48 | (1943), Gajabhau (1944), Badi Maa (1945), |
| 49 | Jeevan Yatra and Subhadra (both 1946), |
| 50 | Mandir (1948) and Chhatrapati Shivaji |
| 51 | (1952). |
| 52 | |
| 53 | [[Music]] |